No, This Isn’t “The Onion”
Inside Higher Ed today has a story about a new book by a professor on hip-hop culture in college. In the interview, the author says, ”Hip-hop collegians are college students who create hip-hop and apply its sensibilities and worldview to their educational lives….They dance, rhyme, make beats, DJ, paint and draw visual arts such as graffiti, curate events, and more… A hip-hop collegian is not someone who simply listens to rap music. Anyone who turns on the radio can listen to rap music today because it is a mainstream part of American society. But a student who is deeply invested in the fuller culture of hip-hop, often by creating a part of it, and applies its sensibilities to education, is a hip-hop collegian.”
Sounds like a satire from “The Onion,” as one commenter wrote, but apparently not.
I wonder just what hip-hop “sensibilities” are and how they differ from the sensibilities affiliated with any other form of music. Other than perhaps creating more graffiti,how are these “hip-hop” collegians different from others?


My former student Joshua, now ambivalently quartered at UC Santa Cruz (home of the fightin’ Banana Slugs and currently under Federal investigation for
That’s the subject of today’s
Epstein’s dichotomy resonates with something Mark Edmundson said here the other night about higher education, that its goal seems to be “to undermine all aspirations to idealism.” Reveal, debunk, demystify, revise, expose the Hider in each and all is the postmodern academy’s gloomy project. If becoming therapeutically adjusted to our hidden demons is the best we can hope for, life becomes just the search for jolts of pleasure from briefly-satisfied hungers and desires. As Philip Rieff suggested, Freud (and the academy) offer man only “how to live with no higher purpose than that of a durable sense of well-being.”
Also at the Chronicle, April Kelly-Woessner has an 
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